Heritage, activism and guardianship: a way toward cultural sustainability? The example of the Alpine chapel of St. Erim and its landscape

Abstract ID: 3.10991 | Accepted as Poster | Talk | TBA | TBA

Asja Gollo (1)
(1) Universität Innsbruck, CI IN052 Hauptgebaude, 6020 Innsbruck, AT

Categories: Culture, Fieldwork, Sustainable Development
Keywords: cultural sustainability, heritage landscape, ethno-linguistic minorities, Alps, guardianship

Categories: Culture, Fieldwork, Sustainable Development
Keywords: cultural sustainability, heritage landscape, ethno-linguistic minorities, Alps, guardianship

The content was (partly) adapted by AI
Content (partly) adapted by AI

Due to major socio-economic shifts that have happened over time, abandoned landscapes are widespread in the Italian Alps. While they are one of the visible signs of changes in land use and territoriality, in terms of emotional experience they also provoke a sense of loss and a feel of nostalgia for a temporal and spatial past. However, nostalgic feelings can be productive, enable actions ─ such as the recover and reuse of cultural landscapes ─ and significantly contribute to community renewal. In fact, the heritage value of landscapes that fall out of the purview of formal processes of patrimonialisation often emerge from those groups whose identity is embedded in those places. Based on ongoing research on the culture-sustainability nexus among ethno-linguistic minorities in the Italian Alps, this contribution focuses on the transboundary minority of the Brigaschi and explores the heritagisation of a small chapel and surrounding landscape located in the Alpine pastures of the Valle dei Maestri (Nature Park of Marguareis, Western Alps), where also a modern hut was built in the 2000s. Multiple landscapes (e)merge with each other and their components move at different paces, challenging the ethical and aesthetical dimension of the chapel’s heritagisation. The life cycle of this landscape and its heritagisation are discussed within the frame of cultural sustainability: the recover and reuse of this abandoned landscape can be seen as a form of cultural activism and its conservation is guided by principles of care and guardianship, both signalling that there is value in it and it is considered something to be inherited. Considering both the spatial/temporal and the ethical/aesthetical challenges, this contribution also reflects on whether the way this process is being handled by the minority and whether the latter has the potential to make the chapel and its landscape a meaningful long-term presence.

N/A
NAME:
TBA
BUILDING:
TBA
FLOOR:
TBA
TYPE:
TBA
CAPACITY:
TBA
ACCESS:
TBA
ADDITIONAL:
TBA
FIND ME:
>> Google Maps

Choose the session you want to submit an abstract. Please be assured that similar sessions will either be scheduled consecutively or merged once the abstract submission phase is completed.

Select your preferred presentation mode
Please visit the session format page to get a detailed view on the presentation timings
The final decision on oral/poster is made by the (Co-)Conveners and will be communicated via your My#IMC dashboard

Please add here your abstract meeting the following requirements:
NO REFERNCES/KEYWORDS/ACKNOWEDGEMENTS IN AN ABSTRACT!
Limits: min 100 words, max 350 words or 2500 characters incl. tabs
Criteria: use only UTF-8 HTML character set, no equations/special characters/coding
Copy/Paste from an external editor is possible but check/reformat your text before submitting (e.g. bullet points, returns, aso)

Add here affiliations (max. 30) for you and your co-author(s). Use the row number to assign the affiliation to you and your co-author(s).
When you hover over the row number you are able to change the order of the affiliation list.

1
1

Add here co-author(s) (max. 30) to your abstract. Please assign the affiliation(s) of each co-author in the "Assigned Aff. No" by using the corresponding numbers from the "Affiliation List" (e.g.: 1,2,...)
When you hover over the row number you are able to change the order of the co-author list.

1
1
2
3
4
5
1
Close